The Monster Tamers Society

A record of every monster who was loved back.

EST. 1903  ·  RECORDS 1888–PRESENT

1920s winter carnival card — Satin and Aceon
1920s seance portrait — Mina and Sylas
1930s aquarium society photo — Elle and Cepharius
1930s scandal snapshot — Sirena and Nex
1940s noir casefile — The Guarded
1950s pulp monster magazine cover — Sloane and Nine
1950s uncanny domestic — Mina and Sylas
1960s underground club flyer — Sloane and Nine
1970s scandal tabloid — Andi and Damian
1980s fragrance ad — Elle and Cepharius
1990s gothic romance promo — Satin and Aceon
2010s occult gala archive — Andi and Damian

There are monsters.

There are people who find them.

There are people who love them.

There are people who keep the records.

And there are readers who want the files.

What this is

The Society, briefly.

The first file came to me in 2009: a clipping, a photograph, and a letter signed only with an initial.

I thought it was research.

It was an invitation.

By the third folder, I understood what I had been handed. The Monster Tamers Society had been keeping records since 1903. I was not inventing the archive. I was inheriting it.

The Society documents the bonds the world preferred not to see: women and monsters, men and monsters, and the rare in-betweens we do not yet have language for. Magazine spreads. Tabloid leaks. Pulp covers. Cabinet cards. Polaroids someone should not have taken. A century of evidence that some loves do not fit inside a box and do not have to.

The novels are the dramatized files.

The Society is the rest of the evidence.

Membership funds the archive. The archive feeds the books. And every new book brings another locked drawer open.

The Monthly Dispatch

Real mail. Once a month. Always strange.

The Dispatch is a mailed envelope of monster-touched ephemera, gathered from the archives and delivered to your door.

Each one is different. Each one is signed for. Each one is something the Society wanted you to see.

Forthcoming and archived:

  • pages from a 1962 monster’s diary
  • a polaroid from a beach trip that didn’t end well
  • an Edwardian masquerade ball pass
  • a tabloid clipping the original publisher denied printing
  • a letter, in someone else’s handwriting, addressed to a name we don’t recognize
Each Dispatch is a numbered Set — a curated collection focused on a particular era, couple, or unsolved file. New Initiates begin with Set No. 1; the series unfolds month by month from there. Whenever you join, you start at the beginning.
A polaroid stack from a recent Dispatch — Mina and Sylas
Induction

Two ways into the Society.

The Threshold

Initiate

$24.99 / month

US subscribers only.

  • Full ebook library — every novel I’ve published, via BookFunnel
  • Full audiobook library — stream or download
  • The Monthly Dispatch — a numbered Set of monster-touched ephemera, mailed to your door
  • Access to every Open File inside the Society
  • 10% off everything in the gift shop, year-round
Become Initiated
A note from the keeper

Why I’m finally opening the doors.

For a long time I kept the archive to myself. I told my publishers about a few of the files. I let the rest sit in their folders, in their boxes, in the drawers of a desk that was older than I was when I bought it.

Then the letters started arriving from readers who had noticed the patterns in my novels — readers who said, in different ways, the same thing: I think I’ve seen one of these too.

So I’m opening the doors. Not the whole way. The Society has rules about what goes out and what stays in. But far enough that the right people can come in and stand close to the work.

If that’s you, you’ll know.

— Cassie Alexander, Keeper of Records

Practicalities

Common questions.

So — is the Society real?

The Society is a fiction I’ve built to hold the work. The archives are real artifacts — printed, packaged, and mailed by me from a small studio in Northern California. The lore is the lore. The polaroid in your mailbox is the polaroid in your mailbox. Both are true in their own way.

What’s actually in a Monthly Dispatch?

A curated collection of monster-touched ephemera — could be polaroids, journal pages, tabloid clippings, a Krampus Ball pass, pressed flowers from somewhere they shouldn’t have grown. Each Dispatch is a numbered Set. New Initiates begin with Set No. 1 and receive each subsequent Set in sequence, month by month. So if you join in May and a friend joins in November, you both start at Set No. 1.

Can I cancel anytime?

Yes. Full stop. No guilt trips, no retention pop-ups. Your library access stays live through the end of your paid period, then sunsets gracefully.

International shipping?

Archivist is $75/month internationally — that covers the real cost of shipping a book + Dispatch overseas. Initiate is US only; international postage on a monthly mailing has gotten brutal, and I’d rather be honest than oversell.

Coming from Patreon?

Welcome. I’ve moved the whole operation here — the retro editions, the library, the new ephemera, the work. Different roof, same hauntings. The Society is what I always wanted Patreon to be.

What does “Open File” mean?

An Open File is a public character archive — a Society-style page anyone can read, designed to introduce you to one of the documented couples. The first one is Mina & Sylas. More open over time. The locked files are accessible to Initiates and Archivists.

Beyond the Society

The haunted gift shop is also open.

If you’re not ready to step inside, you can still take something home.

The doors are open. The archive is waiting. Walk in.

Join the Society